People that pay attention to good good shit may recall that I reviewed Hakan – II some time back, when it came out via Drunken
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Somerset Thrower – Godspeed (Dead Broke Rekerds, 2018)
The regular readers amongst you will recall that I recently declared that Somerset Thrower were a new band to me, in my review of their
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Anna’s Anchor – Everybody’s Welcome (Failure By Design Records, 2018)
Wow. This crept up on me seemingly from nowhere. Anna’s Anchor is the name Irish singer / songwriter Marty Ryan performs and records under. As
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Iron Reagan / Reality Asylum and more @ Fubar/Emerald Bar, St. Petersburg FL
Iron Reagan/Debt Neglector/Leviathan Cross @ Fubar, St. Petersburg FL – Monday, September 24th, 2018 Reality Asylum/Slow Code/Laser Mouth @ Emerald Bar, St. Petersburg FL –
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Columna – Las Cosas Que Perdemos (Dirt Cult Records / Last Hour Records / Sabotage Records 2018)
As people the world over no doubt know, and rightly sneer at us for, we in the UK are terrible for not being bilingual, let
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Snag / Swallow’s Nest split (Zegema Beach Records)
At its best, screamo is a vital, emotive headrush of a genre. Although the term has been bandied about and the genre at times has
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Heavy Pockets – Pure Evil (Dead Broke Rekerds, 2018)
Some of you lot may remember our own Nathan Bean reviewing the previous joint from Heavy Pockets, Mopeless last year. For those of you that
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Four Fists – 6666 (Doomtree, 2018)
During the 2000s, Apathy & Exhaustion’s tireless editor Tony was the co-owner of Roadkill Records, a punk shop haven located in a part of Manchester
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October 2018 7in & EP round-up (part 1)
Cheerbleederz – Faceplant (Alcopop! Records, 2018) Cheerbleederz are an all girl three-piece from London. They play a catchy, fuzzy blend of indie rock and pop
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Komusō – s/t tape (Damn Fine Tapes / Zegema Beach Records, 2018)
Having recently had my love of emo-violence and screamo reignited by some fantastic releases this year, it seems the scene in Tokyo is very much
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