What can I tell you about Nathan Mallon? I’ve known this guy since around ’99 – 2000, when we worked in a call centre together,
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Hot Water Music – Light It Up (Rise Records, 2017)
Hot Water Music (along with bands such as Avail – R.I.P) are notorious for being hardworking, constantly on tour, and immune to anything approaching mainstream
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Mark Lanegan Band – Gargoyle (Heavenly, 2017)
You can’t really write a review of a Mark Lanegan record without mentioning The Screaming Trees. There you go. This man’s career has seen him
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No Use For A Name – Rarities Vol. 1: The Covers (Fat Wreck Chords, 2017)
It was kind of hard to go in to this without preconceptions. I’ve got a strong opinion on this band that not everyone agrees with.
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Cell – Demo 7in (Drunken Sailor Records, 2017)
Fuck me. I was not expecting this. This is some bruising old school hardcore with a gnarled, crusty edge. Realistically I should have been passing
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Pkew Pkew Pkew –+One re-issue (Side One Dummy, 2017)
This is a bizarrely rapid turnaround for a re-issue. This was originally released in 2016 as ‘s/t’. What we got here is the s/t album
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Ogikubo Station – s/t 12in (Asian Man Records, 2017)
You could make immediate mental leaps to The Evens (Ian MacKaye and Amy Farina, Dischord Records) as this is an duo comprised of someone that
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Marvelous Mark – Buzzin’ (Drunken Sailor Records, 2017)
Avid readers (assuming there are any) may remember with fondness (doubtful, but I’m open to the possibility) my review of Marvelous Mark’s debut LP, Crushin’
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Chotto Ghetto – Monstrosity (Asian Man Records, 2017)
To be honest, I’m feeling a bit confused. This feels like one of those albums I’m supposed to like, but oddly I just don’t get
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Bat Boy – Couldn’t Keep Up 7in (Asian Man Records, 2017)
Bat Boy is another new band on Asian Man Records featuring someone from Spraynard – in this case Jake. He is joined by Cory (from
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