These lads have been ‘round the block many times, often tinkering with each other along the way. Garwood played on the last two Lanegan solo
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Attan – End Of. (Fysisk Format, 2018)
Attan are from the northernmost part of Norway, so it’s small wonder that this is bleaker than a nuclear winter and as punishing as fuck
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Birds In Row – We Already Lost The World (Deathwish Inc., 2018)
Six years between major releases is a long time in the music world so I made myself listen to the Birds In Row debut before
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ASG – Survive Sunrise (Relapse, 2018)
Aside from the penchant for mostly having semi-naked, psychedelic 70s trippy drug women on the front of their records, ASG have, for me, never really
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Swingin’ Utters – Peace and Love (Fat Wreck Chords, 2018)
This may very well be the best album the Swingin’ Utters have ever made. They come out swinging (sorry) with Undertaker, Undertake and immediately bounce
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Plini – Sunhead (Self-Released, 2018)
I have a friend who once made me listen to the 1,329 releases that Buckethead has foisted on the public over the years and despite
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The Drowns – View From The Bottom (Live From The Rock Room / Bypolar Records / 1984 Records / Gunner Records, 2018)
The Drowns are a new band from LA and Seattle, featuring members of previously established bands on the circuit such as The Briggs, The Shell
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Only On Weekends – Another Wasted Night (self-released, 2018)
“How do you like your pop-punk? Melodic, full of hooks, and sometimes light hearted? Do you wax nostalgic of the days when bands like Weston
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7in & EP Round-up August 2018 part 3
Marko & The Bruisers / The Prozacs – Massa Fuckin’ Chussets split 7in (Bruiser Records, 2018) This split 7in, as you’ve no doubt figured out
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Ogikubo Station – We Can Pretend Like (Asian Man Records, 2018)
As some of the readership may recall, Ogikubo Station’s debut 12in, s/t EP, made my personal top 10 list of 2017, with 6 songs of
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