Vintage Crop – Company Man (Drunken Sailor Records, 2019) Alright then. The first (to my knowledge) release on Drunken Sailor of 2019. Vintage Crop are
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Gouge Away – Burnt Sugar (Deathwish Inc., 2018)
Have you ever wondered where female fronted indie rock and abrasive meat and spuds hardcore punk collide? Well, here’s your answer, and it’s fucking glorious,
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Columna – Las Cosas Que Perdemos (Dirt Cult Records / Last Hour Records / Sabotage Records 2018)
As people the world over no doubt know, and rightly sneer at us for, we in the UK are terrible for not being bilingual, let
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Get Married – Songs for the Sleepless (Asian Man Records / Wiretap Records, 2018)
Get Married are from San José, northern California, and as far as I can tell, Songs for the Sleepless is their first full length record,
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Piss Ghost / Madison Turner / Yankee Roses @Lucky You Tattoo
In order to be punk, I have gone almost all of this year without working. It’s allowed me to do a bunch of cool
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The Pretty Flowers – Why Trains Crash (Dirt Cult Records, 2018)
The Pretty Flowers hail from Los Angeles, and are made up of members of a whole raft of bands I’ve never heard of because I’m
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Beach Slang – Everything Matters But No One Is Listening [Quiet Slang] (Polyvinyl / Big Scary Monsters, 2018)
I mentioned in my review of the We Were Babies & We Were Dirtbags [Quiet Slang] 7in last year that I was a relatively late comer to
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Best 7in / EPs of 2017: Tony
Following on from the post the other day of my top ten LPs of 2017… 10. (joint) Acrylics – Structure / Gluttony 7in (Drunken Sailor
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Beach Slang – We Were Babies & We Were Dirtbags [Quiet Slang] (Polyvinyl, 2017)
Admittedly, I was something of a late adopter of Beach Slang’s music. As I noted in my review of their second full length, A Loud
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Iron Chic – You Can’t Stay Here (Sideonedummy, 2017)
Oh, Iron Chic, how I love thee. Welcome back, my much loved audio friends. Truly it is a rare thing these days for a band
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