AJJ, or Andrew Jackson Jihad (as they were once known) is a name I’ve been aware of for some long number of years now (they’ve
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Stringer – My Bad (Wiretap Records, 2018)
Stringer are from Brooklyn, NYC and apparently used to be known a Heeney. Motherfucker, either way I am no wiser. Intrepid reviewer and writer extraordinaire
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Future Girls – Motivation Problems (Dirt Cult, 2018)
Future Girls are from Halifax, Nova Scotia. They started out in 2015 as a song writing outlet for Matty Grace (of Fat Stupids, Weekend Dads).
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Retirement Party – Somewhat Literate (Counter Intuitive Records, 2018)
When I was asked if I wanted to review this, I was intrigued by the promotional blurb. Themes of anxieties around growing older, struggles with
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Lemuria – Recreational Hate (Asian Man records / Turbo Worldwide, 2017)
I’ll be honest – this one slipped under the radar. It totally slipped by untracked at the tail end of 2017. I suppose by way
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Impotentie – Demonstratieve Opnamens (Drunken Sailor Records / Swollen City Records 2018)
Impotentie are (as far as I can tell) a post-punk 2 piece from Montreal that sing in… wait for it… Dutch. Fucking Dutch, mate. I
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Erik Nervous – Assorted Anxieties (Drunken Sailor Records / Neck Chop Records, 2018)
The thing that I really love about Drunken Sailor Records is that Juice is introducing me to new bands and artists on a monthly basis
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Mark Lanegan Band – Gargoyle (Heavenly, 2017)
You can’t really write a review of a Mark Lanegan record without mentioning The Screaming Trees. There you go. This man’s career has seen him
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The Globs – Do You Feel Weird? (Dead Broke Rekerds, 2017)
The Globs hail from Sacramento, California, and feature members of The Bananas & Charles Albright. The Dead Broke site describes them as scrappy lo-fi rock
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The Paperhead – Chew (Trouble in Mind, 2017)
Ok – wow. This year has been crazy busy. I have been all over the place and am only just recovering from what was an
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