Not that it’ll be news to anyone, but… I really love that typical US hardcore sound from ’79 – ’86. In particular I have a
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Impotentie – Demonstratieve Opnamens (Drunken Sailor Records / Swollen City Records 2018)
Impotentie are (as far as I can tell) a post-punk 2 piece from Montreal that sing in… wait for it… Dutch. Fucking Dutch, mate. I
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The Last Gang – Keep Them Counting (Fat Wreck Chords, 2018)
There was a time when I followed Fat Wreck Chords something approaching religious fervour, I guess around the mid-late 90s and very early 2000s. They
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Iron Reagan / Gatecreeper split 12in (Relapse, 2018)
So this here split 12in record is billed as being between two of the most talked about acts in the wider extreme metal scene, Iron
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Turnstile – Time & Space (Roadrunner, 2018)
Mentally, I associate Roadrunner with (back in the day) the early Sepultura back catalogue, dodgy Krishna hardcore like Shelter, and some dodgy tough guy hardcore
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Cold Years – Northern Blue EP (Homebound Records, 2018)
Somebody remind me what year it is again? Honestly, I could’ve sworn that the last 10-odd years were a figment of my imagination. Listening to
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Erik Nervous – Assorted Anxieties (Drunken Sailor Records / Neck Chop Records, 2018)
The thing that I really love about Drunken Sailor Records is that Juice is introducing me to new bands and artists on a monthly basis
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Fucked & Bound – Suffrage (Atomic Action Records, 2018)
Fucked & Bound are a female fronted hardcore combo out of Seattle. This is harder than a kick in the fucking grid, and they certainly
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Templeton Pek – Watching The World Come Undone (Drakkar, 2018)
Templeton Pek are a three piece combo from Birmingham (UK not Alabama), and Watching The World Come Undone is their 5th studio album. The release
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Happy Accidents – Everything But The Here & Now (Alcopop Records, 2018)
Every time I think about it, I’m still bewildered as to how in the space of a few short years I went from being pretty
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