Shitting fecking crikey. Sometimes a record slaps you round the chops like a barbarian with a jeffing sledgehammer, mate. This latest offering from the always
Read more
Small Crush – s/t (Asian Man Records, 2019)
Small Crush are a 4-piece indie-pop band out of the Oakland / Berkeley area of northern California. Remarkably, two members are still in high school,
Read more
Tommy and June – s/t (Fat Wreck Chords, 2019)
What an incredible and unexpected breath of fresh air this is! About a gazillion miles away from both the skate punk heydays of the 1990s,
Read more
Zegema Beach Records – New Release Roundup
Screamo, Skramz, Emo-Violence, whatever you call it, it’s a rather niche sub-genre that’s been around since the 90s. Back in the mid-00s, I was all
Read more
Give You Nothing – s/t (Umlaut Records / Snubbed Records, 2019)
It’s kind of cool to be on the receiving end of a pleasant surprise every now and again. I’d class this joint from Santa Cruz
Read more
Sweet Jonny – s/t (self-released, 2018)
Sweet Jonny contacted me through Facebook sometime ago for a review of their s/t album. Apologies to Sweet Jonny – it’s taken me a good
Read more
Horror Section – s/t LP (Eccentric Pop Records, 2018)
OK, this is the first of a bunch articles in which I will attempt to catch up on some stragglers from 2018. Wish me luck
Read more
Guest top ten of 2018: Lauren Mills of Mills on Wheels PR
Another guest top ten of 2018… once again coming at ya from across the pond, courtesy of Floridian Lauren Mills. Lauren is a much respected
Read more
Guest top ten of 2018: Juice @ Drunken Sailor Records
This is the first of (hopefully) a series of guest “top ten of 2018” articles. I thought it would be good to get the perspective
Read more
Incisions – s/t (TNS Records, 2018)
Alright then. Some of you clowns may remember either my review of last years’ Quit Now EP from Manchester’s Incisions. Some of you may also
Read more