When she’s not rocking out with her doomy, droney metal outfit, King Woman, Kristin Esfandiari is Miserable. It didn’t take me that long to sink
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High On Fire – Electric Messiah (eOne, 2018)
Matt Pike and co. now have eight albums floating around in the doomy thrash ether, all of which still stand up. They can also boast
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Shy Boys – Bell House (Polyvinyl Record Co, 2018)
The irony does not escape one when one reads the spiel that comes with the music that the not-so-shy Shy Boys provide. It read more
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Mark Lanegan & Duke Garwood – With Animals (Heavenly Recordings, 2018)
These lads have been ‘round the block many times, often tinkering with each other along the way. Garwood played on the last two Lanegan solo
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Birds In Row – We Already Lost The World (Deathwish Inc., 2018)
Six years between major releases is a long time in the music world so I made myself listen to the Birds In Row debut before
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ASG – Survive Sunrise (Relapse, 2018)
Aside from the penchant for mostly having semi-naked, psychedelic 70s trippy drug women on the front of their records, ASG have, for me, never really
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Plini – Sunhead (Self-Released, 2018)
I have a friend who once made me listen to the 1,329 releases that Buckethead has foisted on the public over the years and despite
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The Cowboys – Volume 4 (Drunken Sailor Records, 2017)
Argh! Help! I’ve been reluctantly hurled back to 1969. Don’t worry though; I’m happy because I’m amongst friends such as the MC5 and The Stooges.
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88 Fingers Louie – Thank You For Being A Friend (Bird Attack, 2017)
Last time 88 Fingers Louie released an album, we had a Labour government, I was sporting questionable facial hair and international terrorism was not as
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ENDON – Through The Mirror (Hydra Head, 2017)
Have you ever heard of that play, Waiting For Godot where two old blokes are waiting for this other bloke and you think he’s eventually
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