0 – 60 in no time at all, ‘As I Bleed’ caves your face in with massive warm chords, satisfyingly determined lead vocals and lovely
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Miserable – Loverboy / Dog Days (Sargent House, 2018)
When she’s not rocking out with her doomy, droney metal outfit, King Woman, Kristin Esfandiari is Miserable. It didn’t take me that long to sink
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High On Fire – Electric Messiah (eOne, 2018)
Matt Pike and co. now have eight albums floating around in the doomy thrash ether, all of which still stand up. They can also boast
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Shy Boys – Bell House (Polyvinyl Record Co, 2018)
The irony does not escape one when one reads the spiel that comes with the music that the not-so-shy Shy Boys provide. It read more
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Mark Lanegan & Duke Garwood – With Animals (Heavenly Recordings, 2018)
These lads have been ‘round the block many times, often tinkering with each other along the way. Garwood played on the last two Lanegan solo
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Birds In Row – We Already Lost The World (Deathwish Inc., 2018)
Six years between major releases is a long time in the music world so I made myself listen to the Birds In Row debut before
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ASG – Survive Sunrise (Relapse, 2018)
Aside from the penchant for mostly having semi-naked, psychedelic 70s trippy drug women on the front of their records, ASG have, for me, never really
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Plini – Sunhead (Self-Released, 2018)
I have a friend who once made me listen to the 1,329 releases that Buckethead has foisted on the public over the years and despite
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The Cowboys – Volume 4 (Drunken Sailor Records, 2017)
Argh! Help! I’ve been reluctantly hurled back to 1969. Don’t worry though; I’m happy because I’m amongst friends such as the MC5 and The Stooges.
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88 Fingers Louie – Thank You For Being A Friend (Bird Attack, 2017)
Last time 88 Fingers Louie released an album, we had a Labour government, I was sporting questionable facial hair and international terrorism was not as
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