Hot Water Music (along with bands such as Avail – R.I.P) are notorious for being hardworking, constantly on tour, and immune to anything approaching mainstream
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ENDON – Through The Mirror (Hydra Head, 2017)
Have you ever heard of that play, Waiting For Godot where two old blokes are waiting for this other bloke and you think he’s eventually
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Mark Lanegan Band – Gargoyle (Heavenly, 2017)
You can’t really write a review of a Mark Lanegan record without mentioning The Screaming Trees. There you go. This man’s career has seen him
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Vans/Journeys Warped Tour, 01/07/17, Vinoy Park, St. Petersburg, FL
It would always have taken something extraordinary for me to even consider letting the Warped Tour into my peripheral vision. Describing it as a money-gathering
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No Use For A Name – Rarities Vol. 1: The Covers (Fat Wreck Chords, 2017)
It was kind of hard to go in to this without preconceptions. I’ve got a strong opinion on this band that not everyone agrees with.
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Big Hush – “Spirit / Wholes” (Robotic Empire, 2017)
Big Hush hail from Washington DC – a city rich in musical history, with many bands owning a fervent DIY ethic and a tendency to
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Cell – Demo 7in (Drunken Sailor Records, 2017)
Fuck me. I was not expecting this. This is some bruising old school hardcore with a gnarled, crusty edge. Realistically I should have been passing
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Pkew Pkew Pkew –+One re-issue (Side One Dummy, 2017)
This is a bizarrely rapid turnaround for a re-issue. This was originally released in 2016 as ‘s/t’. What we got here is the s/t album
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Ogikubo Station – s/t 12in (Asian Man Records, 2017)
You could make immediate mental leaps to The Evens (Ian MacKaye and Amy Farina, Dischord Records) as this is an duo comprised of someone that
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Rainer Maria – s/t (Polyvinyl, 2017)
For those unfamiliar, Rainer Maria are an indie-rock band that formed in the summer of 1995 in Madison, Wisconsin. Caithlin De Marrais, singer and bassist,
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